These guys have been sitting in a box in my room for a while, time to officially become unlazy and get these out. Scorchers, every last one of them.


CRY OF THE 12th AETHYR by Chaos Majik (c30)
Todd Brooks, the multi-hatted New Yorker responsible for the creation of fine goods and organizer of epic events through his Pendu organization as well as purveyor of a new breed of cerebral jazz as member of the city’s seminal damaged jazz titans Ghost Moth, here offers a rare peak into his far overlooked (and underpraised) solo project, Chaos Majik. True to the adhocist roots that embrace all of Todd’s work, spontaneous acts of creation thru use of readily available materials, we see (or hear) his homebuilt circuits come alive through interactions with itself, Brooks and their shared environment as the setting sun slowly coerces the shape of these photosensitive oscillations. Despite it’s very electronic origins, Cry of the 12th Aethyr never strays from its organic roots, conjuring images of pitch dark nights in unfamiliar woods, completely blinded by the shadows, but fully cognizant of the thousands of formless shapes slowly enveloping you. Go ahead, turn off the lights and take a stroll through your mind. EPIC. Ltd. 60.


SMOKIN’ IN THE BOYS ROOM by Abusement Park (30 sec. loop + urinal cake)
Two dudes, a sax and a makeshift drumset from bongos, trashcans, sheet metal and other assorted crap constitute the behemoth that is Abusement Park, a band lavishly known for their ability to crash a party in style, celebrating the poignancy of unwelcome guests via locking themselves in bathrooms (sometimes together, sometimes separate) and churning stomaches with their guerilla tactics in a congealed acoustic mess of horn damage, clangs and ceaseless pounding. They recently stopped by The Bakery to cut this tape, for which I had to flank mics from pipes in a tiny NYC apartment railroad car style bathroom. The entire performance, some 10 minutes of putrid agony ringing thru the building’s heating & water pipes, was later cut up, and merged down to this looping 30 second tape. Ltd. 7

“This loop is solely for demonstration purposes and should only be played at top volume through a boombox situated in a bathroom.”

EXTEMELY LIMITED QUANTITY AVAIL. Due to the size/weight of this, USppd for this tape and cake alone is $7.


SHREDDED HEAVEN by Millions (c30)
Horrifyingly beautiful in the truest sense, an exquisitely woven and meticulously shaped narrative assembled from the horrifying nomenclature of hums, buzzes and shrieks by one mister David Suss under his Millions nom de plume. With ever-increasingly epic releases on the likes of Peasant Magik, Abandon Ship and Obsolete Units, Shredded Heaven finds Suss at his finest. “Scrape yr skull against that great celestial cheese grater and let the fruits of that communion drift down and slowly blanket the earth. float back home and watch as all you know is submerged beneath the sweet glacial avalanche.” Synonymically literal artwork by Suss. Ltd. 60.


NICARAGUA ‘72 by Sunglasses (c60)
Having recently relocated to Chicago from Queens, I was glad to hear from Matt Kimmel (man behind the camera at Acid Marshmallow and the keyboard in Fluorescent Vibes) that he quickly settled in and had hooked up with former Miami Beach bandmate, Ryan Chupick, and together had been bringing a new brand of focused meditative hymns to the windy city. Nicaragua ‘72, their debut, is a hour long excursion in four parts, each painstakingly restrained, slowly budding from repetitious ebbs and flows, subtilely expanding mantras lowering the pulse and drawing one into a somnolent state, growing steadily until side B erupts and shit starts to get real. Ltd. 40.


BAJON by Pork Lion (c7 + bizcard)
A freakshow of recent experiments gone horribly awry. These diary vignettes range from psych guitar noodlings to knob-twiddling vocodations, with excerpts of an unintended chorus of a oddly sized and tuned folk guitars, a Mothers “cover” and a tone poem for ring modulator and LFO to round out these 3 sides. Quick glimpses into a burnt mind. Ltd. 24.



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Grasshopper - Kindertotenlieder
Grasshopper - Kindertotenlieder c40
Highlighting some of the more abrasive tones of the NYC trumpet duo, Kindertotenlieder acts as a conduit between earlier brass psychedelic zoners and their more recent live orchestral assaults. Super metal lettering by Cherlyn Russo. Printed on vellum. Ltd. 50

http://www.myspace.com/karlmalonelarrybird

REVIEWS: Cassette Gods / Tabs Out

Fluorescent Vibes - The Weight of the Clouds
Fluorescent Vibes - The Weight of the Clouds c30
Materializing as naturally as condensation on the side of a glass, this Ridgewood trio (now duo) compromised of members of Arcanode and Miami Beach approach near-weightlessness with this aptly titled magnetic offering. Never has a title so much so represented the vision and execution of a tape more unequivocally. Artwork by Tiana Femano, Ashley Purciello, and Diana Hutyk from the book “weep music + tainted love”. Ltd. 60

http://www.myspace.com/fluorescentvibes

Fossils - Magnetic Minds
Fossils - Magnetic Minds c30 (vol. 1)
The highly speculated missing piece of the puzzle that alongside volumes 2 (Myiasis) and 3 (MJC) constitute an unfiltered trilogy of Payne and co. (here alongside Daniel Farr of The Living Stump) at their finest, laid direct to tape, during the dominant months of winter, as only Fossils can. Ltd. 40

http://www.myspace.com/fossilstrio

Pork Lion - Contact High
Pork Lion - Contact High c26
A piece for 4 guitars, more reminiscent of a quartet of chainsaws cutting through the cement foundation of an abandoned factory with overtones floating down empty hallways and stagnant stairwells while the grinding of the remodeling below rumbles through the night. On the flip, another work for multiple guitars, the quartet seemingly hit a watermain, flooding the basement gradually, while both machinery and bodies float lifeless, suspended in the murky mixture as exposed electrical wires sputter out until consumed as well. Ltd. 24

Still Avail (details @ http://www.myspace.com/bakedtapes)
Nonhorse “Pink Light” c60
Slasher Risk “Corporate Jobs” c7 (~5 left)
TwistyCat “Bore Hole” c50 (~5 left)
Grasshopper “Dads Against Vietnam” c50 (~2 left)
Telecult Powers/Bob Bellerue collab “Baked In The Kitchen” c40 (~2 left)

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It seems whenever I make an attempt to clean this sty I call a home, I stumble upon an overwhelming number of cassettes - hidden gems tucked away in the most mysterious of places, carelessly devoid of any labeling or even a protective case. I mean A LOT. I suppose it comes with the territory and all as an active engineer/archivist and tape label honcho, but each time the playhead hits the leader for the first time, there’s a small spark of magic that hits the air, an aura of uncertainty of what lies ahead mixed with the rush that perhaps your newest uncovered treasure will be the grail of the cutting room floor.

Here’s one such I recently stumbled on which has me all bothered. I can only be certain it’s some early Grasshopper incarnation. No idea as to a date, but likely from mid 2007 before we made a move over to full-time trumpet, while we were first sharpening our teeth as budding guitar/keyboard zoners.

Enjoy.

Grasshopper - White Label Jam #1 [320kbps]

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F.B.I. in Beards - Waving Genitals and Manuscripts
Waving Genitals and Manuscripts (theoretical c-22, 2007)
Artist: F.B.I. in Beards (Pork Lion)
Full size cover: here

This is the first tape i assembled of my solo improvisations living @ the ol’ 141. I made a few copies on a wobbly deck that wavered like the dickens and sent it to a few folks under the F.B.I. in Beards moniker. As a nominal tribute to Ginsberg’s “Howl,” this was a collection of tracks fittingly inspired by the continued dissolve of the footprint of the once thriving anti-establishment nyc underground. Historical venues giving way to high rise luxury condos, the streets littered by the overpour of name-brand night life, and swanky irony as far as the eye can see; it was a final acknowledgment of an inevitable sellout of what little respect was left.

The One Eyed Shrew That Winks Out of The Womb >>> [320kbps]
Minimal, yet jagged. Four oscillators. buzz buzz buzzin’. The idea of something seemily unchanging, yet in constant evolution; The inability to repeat, only reflect on and imitate in hindsight moving forward.

Jazz or Sex or Soup >>> [320kbps]
A sedate juxtaposition to ‘Shrew’ using one of those Music From Outspace build-it-yourself kits (assembled by Cauchy Riemann).

Ride from Battery to Holy Bronx on Benzedrine >>> [320kbps]
This track dates back a bit to when I first moved into Harlem and had no tv or internet. Living in a prewar building, you sometimes have to learn to make sacrifices. One such i ran into very quickly was the realization that my entire studio had to run out of a single power outlet. While lacking adequate socket multiplicative devices (surges, conditioner, etc.), I recorded this track live with a single ring modulator.

Under The El >>> [320kbps]
My apartment is/was/will always be filled with guitars of all shapes and sizes (and tunings!). This was the fine array of the acoustic ones available during my run of stacked improvisations during spring 07. Some are mine, some are Jims, one is Josh’s.

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